Emily Ratajkowski is seen after response from photographer she accused of sexually assaulting her

Emily Ratajkowski stepped out to dinner in New York on Tuesday night, just hours after the photographer she accused of sexually assaulting her hit back by shaming model-turned-actress for appearing naked in a music video.

The 29-year-old, who has appeared in movies Gone Girl and I Feel Pretty since she found fame in 2013, claimed in an essay for The Cut that Jonathan Leder put his ‘fingers inside of her’ while they were sitting together on his couch in May 2012 when she did an unpaid nude shoot at his home in the Catskills.

Ratajkowski went ahead with her outing shortly after he responded to the article, ‘You really want to believe the girl who bounced around naked in the Robin Thicke video was a victim?’  

Ratajkowski was spotted getting out of her vehicle with a friend as they hit Macquarie in NYC. 

They took advantage of an outdoor dining set-up in Manhattan that has popped up amid the coronavirus pandemic and an indoor dining ban.

The fashion star wore a long sleeved white top to match her plain tennis shoes and paired an oversized blazer with loose black pants to go with her fabric face mask.

But the brunette star was still very recognizable as she joined the buzzing Big Apple dining scene.

She and several friends chatted among fellow diners whose tables were spilling onto the sidewalk. 

Despite the photographer’s startling response to the sexual assault allegation, Ratajkowski didn’t appear to be given much away from her facial expressions.

However she soon settled into the meal and seemed engrossed with conversation, looking perplexed and surprised at times.

In her story published Tuesday, Ratajkowski recalled drinking copious amounts of red wine during the shoot, and notes that she was ‘very, very drunk’ by the end of the night. She was 20 at the time.

‘I was cold, shivering, and huddled under a blanket,’ she wrote. ‘Jonathan and I were on his couch, and the rough texture of his jeans rubbed against my bare legs.’

Ratajkowski described how Leder began asking her about her ‘boyfriends’, and she says she ‘remembers talking a lot… about her dating history’, while ‘absentmindedly rubbing my feet against one another and against his for warmth’. 

‘He told me he liked “that foot thing you’re doing,” and I remember this moment more clearly than anything else,’ she writes. 

‘Most of what came next was a blur except for the feeling,’ Ratajkowski continues. ‘I don’t remember kissing, but I do remember his fingers suddenly being inside of me. Harder and harder and pushing and pushing like no one had touched me before or has touched me since. 

‘I could feel the shape of myself and my ridges, and it really, really hurt. I brought my hand instinctively to his wrist and pulled his fingers out of me with force. I didn’t say a word. He stood up abruptly and scurried silently into the darkness up the stairs.’

When contacted by The Cut, Leder denied Ratajkowski’s allegations, telling the publication that they were ‘too tawdry and childish to respond to’. 

Referring to nude and topless shoots that Ratajkowski has done in the years since he worked with her, Leder continued: ‘You do know who we are talking about right? This is the girl that was naked in Treats! magazine, and bounced around naked in the Robin Thicke video at that time. 

‘You really want someone to believe she was a victim?’

In a statement made to DailyMail.com, Leder insisted that Ratajkowski’s claims about the shoot are ‘totally false’, writing: ‘Ms. Ratajkowski’s allegations are totally false. I feel bad for her that she is at the point in her career where she has to resort to tactics like this to gain press and publicity. It is shameful.

‘I think it is also shameful for [New York Magazine] to publish such sordid and tawdry and unsubstantiated allegations against anyone.’ 

After the incident on the couch, Ratajkowski says she went to bed in the room where they had started the shoot, recalling that she was ‘confused as to why Jonathan had left without a word and terrified that he would come back’. 

‘Later in the morning, I woke with a vicious hangover,’ she said. ‘I dressed quickly in the clothes I’d been wearing the day before and noticed that my hands were shaking.’

Upon checking her Instagram, she noticed that Jonathan had already put up one of her Polaroids from the previous night.    

Ratajkowski also detailed several instances during the shoot when she says Leder made comments about her body, recalling that he branded her first set of Polaroids ‘boring and stiff’, before asking the makeup artist to ‘f**k up her hair’ before she posed nude. 

Despite the fact that she had only been working professionally for a few years, the model says she had no fears about posing nude, noting that she had been ‘told by plenty of photographers and agents that her body was one of the things that made her stand out’. 

‘My body felt like a superpower,’ she wrote. ‘I was confident naked — unafraid and proud.’

However, she admits that ‘a part of her disassociated’ when she undressed, and she says that she’d ‘had so much wine that giant black spots were expanding and floating in front of her eyes’ when she began to pose for Leder on the bed.  

When the pair reviewed that second batch of Polaroids together, Ratajkowski said the photographer told her he thought she would be ‘a big girl… big-boned, fat’, based on images of her that he had found on Google, in which she appeared curvier. 

As they continued shooting, he picked out a particular image that he said he liked ‘because of her nipples’.

‘This one is so good because of your nipples,’ Ratajkowski says he told her. ‘Your nipples change so much from hard to soft. But I like them when they’re gigantic. I love when they’re giant. Giant and exaggerated.’

She recalls being ‘confused’ by his comments, adding that she ‘somehow felt that he meant to insult me’. 

After the images from the shoot were published in a magazine a few months later, Ratajkowski says she pushed the experience out of her mind, and ‘never told anyone about what happened’.   

Although it is the first time that Ratajkowski has made the assault allegations against Leder, she has previously spoken out about the shoot back in 2016, when the photographer revealed that he was publishing a book of the nude images he took of the model and actress. 

At the time, Ratajkowski insisted that she had not given her consent for the images to be published anywhere other than the magazine they were originally taken for, and she slammed Leder’s book as a ‘violation’ in a series of tweets.   

In her article for The Cut – during which she addresses what it means for a model to ‘own her own image’ – Ratajkowski recalls the moment she learned the book was being published, and details her desperate attempt to prevent it from being released. 

She says that she only learned of Leder’s plans to release the tome when she was contacted by a ‘well-known magazine asking if they could help promote my new book of photographs’.  

Ratajkowski searched online for details of the book and discovered that Leder was publishing a tome – simply called ‘Emily Ratajkowski’ – filled with the Polaroid photos he took during the 2012 shoot for $80. 

‘Some of the images were posted on Jonathan’s Instagram, and they were among the most revealing and vulgar Polaroids he had taken of me,’ she said. 

The model says she was ‘livid and frantic’ at learning of the book’s publication – and afraid of what it could do to her reputation as an actress, explaining that she had been warned to ‘shy away from being “sexy” in order to be taken seriously’. 

Ratajkowski contacted her lawyer, who sent a cease-and-desist letter to Leder and the gallery that was planning to exhibit his images of her to coincide with the release of the book. 

‘My lawyer argued that Jonathan had no right to use the images beyond their agreed-upon usage,’ she said. ‘When I agreed to shoot with Jonathan, I had consented only for the photos to be printed in the magazine they were intended for.’ 

However, the gallery went to the New York Times with a signed model release that it said gave Leder the rights to publish the images in whatever capacity he saw fit. 

Ratajkowski maintains that she never signed a release, and her agent who arranged the shoot – who no longer works in the industry – also insists she didn’t sign anything on her behalf.     

The model – who in 2014 was among a number of female stars had their nude photos published on controversial site 4chan after an iCloud hack – says the idea of Leder having free reign over the shoot images left her ‘terrified’, particularly because of what that meant for all of the ‘other thousands, maybe millions’ of photos that she had posed for during her career. 

But despite her lawyer’s insistence that the signed model release ‘must have been forged’, Ratajkowski was advised that pursuing a lawsuit against Leder and the gallery that eventually exhibited his work, would be ‘fruitless’, and incredibly costly – which, she says, she couldn’t afford. 

‘The problem with justice, or even the pursuit of justice, in the U.S. is that it costs. A lot,’ she explained. 

‘For the four days of letters and calls for which I had enlisted my lawyer’s services, I’d racked up a bill of nearly $8,000. And while I did have fame, I didn’t have the kind of money I’d told Jonathan I hoped to have one day. 

‘I’d heard from friends that Jonathan was a rich kid who had never needed a paycheck in his life. My dad was a high-school teacher; my mom was an English teacher. I had no one in my life to swoop in and help cover the costs.’  

She was also informed that a successful lawsuit would not necessarily prevent the publication of the books, but only give her the opportunity to try and claim some of the profits from their sale. 

Leder has since published multiple editions of the book through his own company, Imperial Publishing, while also sharing several ‘unseen’ Polaroids of Ratajkowski on his Instagram account – which was made private as this article was published. 

In his statement to DailyMail.com about Ratajkowski’s article in The Cut, Leder once again hit back at the model’s criticism of his books, writing that he ‘was totally within his legal rights’ to publish them. 

In February 2017, the photographer did an interview with Highsnobiety in which he shared details from his shoot with Ratajkowski, describing her as being ‘one of the most comfortable models he had ever worked with in terms of her body’. 

‘She was neither shy nor self-conscious in any way,’ he told the online publication. ‘To say she enjoyed being naked is an understatement. I don’t know if it empowered her, or she enjoyed the attention, but I can say, out of the 100 or so Polaroids we shot those two nights, only in a handful does she have clothes on.’

Leder recalls the experience as a ‘great shoot’, adding that they ‘had a great time, good conversation, and worked late into the night’.